“There are many things in your heart you can never tell to another person. They are you, your private joys and sorrows, and you can never tell them. You cheapen yourself, the inside of yourself, when you tell them.” —Greta Garbo
Her penchant for privacy broke all of Hollywood’s rules. Except at the start of her career, she granted no interviews, signed no autographs, attended no premieres, answered no fan mail. In a rare statement to reporters she acknowledged, ‘’I feel able to express myself only through my roles, not in words, and that is why I try to avoid talking to the press.'’
Every day, the woman in black walked through New York’s Central Park to feed the squirrels. Wearing huge sunglasses, she was careful not to look at anyone as she moved slowly along the paths. She rarely spoke. To locals, she was just another New York oddball, but this fragile and isolated figure had once been the most famous and admired actress in the world, feted for her beauty and poise. This was screen legend Greta Garbo.
Little is known about her later life because she protected her privacy so fiercely, famously declaring, “I want to be left alone.”
Garbo hadn’t always shunned the spotlight. In fact, as a young girl growing up in Sweden, Greta Lovisa Gustafsson, dreamt of fame as a way to escape from the brutality and poverty of her life. Hers is the classic rags-to-riches tale.
Born on September 18, 1905, to Karl Alfred and Anna Lovisa, she was the youngest of three children. With her parents, sister Alva and brother Sven, she lived in one of Stockholm’s poorest districts in a tiny apartment with no hot water.
Karl was an alcoholic and the family often went without food so he could buy whiskey. His youngest daughter withdrew from the pain, creating a fantasy world as a respite from reality.
“I have always been moody. When I was just a little child, as early as I can remember, I have wanted to be alone. I detest crowds, don’t like many people. I used to crawl into a corner and sit and think, think things over. When just a baby, I was always figuring, wondering what it was all about—just why we were living.
“Children should be allowed to think when they please; should not been pestered. ’Go and play now,’ their mothers and fathers tell them. They shouldn’t do that, thinking means so much to even small children.
“When I wasn’t thinking, wasn’t wondering what it was all about, this living; I was dreaming. Dreaming how I could become a player (actress).
“No one of my people were on the stage. It was just born in me, I guess. Why, when I was just a little thing, I had some water colors. Just as other children have water colors. Only I drew pictures on myself. Rather than on paper, I used to paint my lips, my cheeks, paint pictures on me. I thought that was the way actresses painted.”
She told Karl that she loved pretending to be characters in stories “because I hate life around us.”
[…]
Garbo developed an enigmatic screen persona that captivated fans but at the height of her career in 1941, at the age of thirty-six, she left Hollywood, never to make another film.
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